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Showing posts with label Biography. Show all posts
Showing posts with label Biography. Show all posts

Thursday, September 15, 2016

Who is Edward ‘Snowden’? A hero or traitor? [PG]


 “The modern battlefield is everywhere.” Run. Hide. Live. To tell the truth. “There’s something going inside the government that’s really wrong and I can’t ignore it…I just want to get this data to the world.” In Academy Award®-winning director Oliver Stone’s ‘Snowden,’ CIA employee Edward Snowden leaks thousands of classified documents to the press.



“You wanted to be Special Forces? Find the terrorists in the internet haystack.” One nation under surveillance for liberty and justice for all. “The NSA is really tracking every cell phone in the world.” ‘Snowden,’ the politically charged, thriller starring Joseph Gordon-Levitt and Shailene Woodley, reveals the personal story of Edward Snowden, who exposed illegal surveillance activities by the 
NSA and became one of the most wanted men in the world.

 “Did you access an unauthorized program?” He is considered a hero by some and a traitor by others. No matter which you believe, ‘Snowden’ tells the story of why he did it, who he left behind, and how he pulled it off. “I feel like I was made to do this and if I don’t do it then I don’t know anybody else who can.”

  “Most Americans don’t want freedom. They want security.” ‘Snowden’ is written and directed by Oliver Stone. The script is based on the books The Snowden Files: The Inside Story of the World’s Most Wanted Man by Luke Harding and Time of the Octopus by Anatoly Kucherena.

 “They’re gonna come for me. They’re gonna come for all of you too.”  ‘Snowden’ which is slated to hit theaters September 16, 2016, also stars Shailene Woodley as Snowden’s girlfriend, Zachary Quinto as journalist Glenn Greenwald, Nicolas Cage, Melissa Leo, Tom Wilkinson, Scott Eastwood, Timothy Olyphant, Rhys Ifans and Joely Richardson.



“SNOWDEN” is released and distributed by CAPTIVE CINEMA.
Showing SEPTEMBER 28.




Friday, August 12, 2016

OctoArts Films International: MERYL STREEP IN THE INSPIRING TRUE STORY “FLORENCE FOSTER JENKINS” [G]

From Stephen Frears, the director of “The Queen” and “Philomena” comes an unforgettable heartwarming and funny story that will bring the audience to tears in “Florence Foster Jenkins,” the inspiring true story of the eponymous New York heiress who obsessively pursued her dream of becoming a great singer. Starring two of the best loved actors worldwide, Meryl Streep and Hugh Grant, the film celebrates the human spirit, the power of music, and the passion of amateurs everywhere.




The voice Florence (Streep) heard in her head was divine, but to the rest of the world it was hilariously awful. At private recitals, her devoted husband and manager, St. Claire Bayfield (Grant) realized he had perhaps bitten off more than he could chew.

“Florence Foster Jenkins’” score is composed by Alexandre Desplat (“The Queen,” “The King’s Speech”) who incorporates wonderful music from popular songs to golden classics.




 “Florence Foster Jenkins” opens August 24 from OctoArts Films International. Trailer link:https://www.youtube.com/watch?v=pAsgjz3wcGg

Monday, May 23, 2016

The Girl King (Released by Solar Pictures) [R16]

THE GIRL KING is the story of one of the most iconic Queens in history. Queen Kristina of Sweden, raised as a prince at her father’s request, is thrust into a world of conflict. Faced with the austere, fiercely conservative Lutheran values of the times, she begins her reign in confrontation – opting for education for all her subjects and an end to the Thirty Years War. Pulled between the Lutheran and Catholic forces, conspiring for her allegiance, she also faces an internal struggle. Falling deeply in love with her lady in waiting, the stunning Ebba Sparre, she is left confused and wanting. As the forces converge, Kristina is pushed towards making one of the greatest and most scandalous decisions in history. This is the story of the young Kristina, preceding this momentous and influential decision.

THE GIRL KING is the story of Sweden’s Queen Kristina, an enigmatic young woman who defied convention, challenged tradition and changed the course of history. Torn between reason and passion; between her female body and being raised as a prince; between the ancient and modern worlds and between the brilliance of her educated mind and the terror of the emotions she could not understand.

THE GIRL KING paints a portrait of the brilliant, extravagant Kristina of Sweden, queen from age six, who fights the conservative forces that are against her ideas to modernize Sweden and who have no tolerance for her awakening sexuality.

Staring Malin Buska (Easy Money, Happy End), Sarah Gadon (Belle, Enemy, The Amazing Spiderman 2, Dracula Untold), Michael Nyqvist (Mission Impossible: Ghost Protocol, The Girl with the Dragon Tattoo, John Wick), Lucas Bryant (Queer As Folk, Haven, The Vow), Laura Birn (Purge, A Walk Among The Tombstones), Hippolyte Girardot (The Conquest, Lady Chatterly's Lover), Francois Arnaud (Blindspot, The Borgias), and Patrick Bauchau (2012, Panic Room, Clear And Present Danger, A View To A Kill).

Directed by Mika Kaurismäki






“The Girl King” opens on the 1st of June of this year, with an MTRCB rating of R-16 without cuts. It is an exclusive film release of Solar Pictures. For more details about #TheGirlKing, visit @solarpicturesPH on Facebook, Twitter, and Instagram

Tuesday, March 1, 2016

ROBERT PATTINSON IN "QUEEN OF THE DESERT"

ROBERT PATTINSON RETURNS TO THE BIG SCREEN IN “QUEEN OF THE DESERT” AT AYALA MALLS CINEMAS


Robert Pattinson, best known for his role in the highly-successful young adult blockbuster “Twilight” films essays a more mature role starring with Nicole Kidman and James Franco in the true-to-life story of trailblazing woman in “Queen of the Desert” directed by award-winning Werner Herzog.




Nicole Kidman plays Gertrude Bell aptly referenced as the “Queen of the Desert,” bring to the big screen the true-life story of Bell, who was a British political officer and archaeologist but ultimately a trailblazer on her terms. The story details the extraordinary adventures of Bell wrestling with the conflicts of love and tragedy, enemy and friend, and foreign and familiar as she sought to understand and unify people from different cultures.



Gertrude Bell, a real-life British woman who was alternately a traveler, writer, archaeologist, explorer, cartographer, and political attaché for the British Empire at the dawn of the twentieth century. While only a commoner herself, Bell was nonetheless a kingmaker, helping found the modern states of Iraq and Jordan and installing their first rulers, King Abdullah and King Faisal.



Another legendary character that appears in this film is T.E. Lawrence, also known as Lawrence of Arabia, played by Robert Pattinson. His role as T.E. Lawrence is a British Army officer whose writing earned him international fame as Lawrence of Arabia, on whom David Lean’s 1962 classic blockbuster movie epic is based. Lawrence was a good friend to Bell over the years, as the duo helped establish the Hashemite dynasties in Jordan and Iraq. “I needed an Englishman, who still has the air of a schoolboy, but who is very intelligent. He plays Lawrence of Arabia, but at age 22, on an archaeological site. Pattinson is very good in this role. He is an intelligent man and the choice was quite natural”, says Herzog of casting Pattinson.



Pattinson says landing the role was “just crazy”. “I’ve been a fan of Herzog since I was 16. I met him for that job three years ago; I thought it was never going to happen and when it finally did, it was amazing. Riding around Morocco on a camel, it was pretty great,” says Pattinson in his previous interviews.



Of working with the director, Pattinson says, “It’s insane because he wrote the script as well and it’s one of the most difficult scripts I’ve ever read. Werner’s great. He’s exactly what you’d expect. He’s got so many amazing stories. He’s got insane confidence as well. I think that’s where all his creativity comes from. He’s got 100% belief in himself.”



From Axinite Digicinema, “Queen of the Desert” opens March 2 exclusive at Ayala Malls Cinemas.

Sunday, February 28, 2016

Chris O’Dowd plays journalist David Walsh In The Program [R13]

Chris O’Dowd has become a bit of a disgruntled sports fan. His beloved Liverpool are in what seems like perpetual change and the arrival of Jürgen Klopp is far from a guarantee that the 25-year search for a Premier League title will end. At least he can’t blame Liverpool’s demise on other team’s cheating and that’s what’s really got his ire up. He’s been spending the past few months trying to work out the enigma that is Lance Armstrong, the cycling superstar who overcame cancer to win the Tour de France seven times. It was a unique achievement at arguably sport’s toughest endurance event. Then came the revelation that it was a house built on lies. 



In Stephen Frears’ The Program, O’Dowd plays journalist David Walsh, the man who refused to believe Armstrong’s lies, even when the cyclist successfully sued Walsh’s paper for libel, winning a multimillion-pound payout. O’Dowd has the same zealous belief that science and doping are making a mockery of sport. “For me as a sports fan, I have no interest in watching pharmacists and doctors competing to come up with the best concoctions,” says the Irish actor.
He has a similar disdain for Formula 1, because it relies so much on the technical prowess of the mechanics. O’Dowd’s main interest is the skill of the individual, which probably explains why he became an actor, being judged on his ability to mimic or bring a character to life, even when he’s part of an ensemble.

The 36-year-old is best known as a comic, a reputation that goes back to the flirting state patrol officer he portrayed in Bridesmaids. But he didn’t want to be known simply as the goofy comic. “Which is hard when it’s such a big movie,” he says of the 2011 hit. “And particularly stateside, when it’s probably what 90 per cent of the people know you from. But you always just want to find the best work. Not to tick a box. I ended up doing comedy by accident really. It’s not like it was a life plan or anything.”

O’Dowd was born in Boyle, County Roscommon. His father is a graphic designer and his mother a psychotherapist. He has brought many of his childhood tales to the screen in Moone Boy, the show he created for Sky TV. “I mean, we kind of look at it all... not through rose-tinted glasses, but certainly, I had a lovely childhood, so I wasn’t necessarily worried about dealing with issues from my past. There are moments when my family would be like, ‘That’s not how I fuckin’ remember it!’ But for the most part, the vast majority of it… relationship-wise it’s totally accurate to how I grew up. A lot of the stories kind of come and go. Some of them are based in reality and then you make them funnier in some way, or make them more interesting to watch.”

But he thinks the show’s now on its last legs. There are only so many stories he can tell about 11- and 12-year-old boys, although he has a Truffaut-esque desire to return to the characters when they are a bit older. One story he could put in, if he ever followed up that idea, is about a bike ride he went on, aged 14. “It was during the summer holidays. There was very little happening. I come from a very small place. I went with these two friends, John and Dermott. We cycled maybe 80 miles. It took two days. We pitched a tent. I’d forgotten about that. We pitched a tent and when we woke up we were in a traffic island.”

It didn’t put him off cycling, and when he was acting on Broadway in Of Mice and Men, opposite James Franco, he would cycle to work and back every night. On stage he became a big fan of his co-star. “James is great. I think he’s genuinely trying to do interesting things. Not everybody is. He takes a lot of flak for it, which I’ve never really understood. If he wasn’t so handsome, I think he’d be celebrated much more.”

But his recollection of playing a venture capitalist in the US drama series Girls is more down to earth. “It wasn’t an iconic show when I was doing it. It just felt like another kind of TV gig. You could tell that they’re all very smart, and it felt quite raw, which was nice… I’m kind of amazed to see it take off, and you don’t know that it’s going to be such a massive thing. But they really keyed into what people wanted.”

I’m left with the impression that giving people what they want is not O’Dowd’s objective. Otherwise he would be happily revelling in comic roles, rather than taking on meaty stage roles and playing journalists on a mission. He’s considered and serious and wants to challenge himself and people’s perceptions of him. Playing a journalist brings back memories of working on a student newspaper when he was young. “I wanted to be a journalist quite a lot when I was in school. And I didn’t get the grades to go to the journalism colleges… I don’t know how they were so hard to get into given the level of journalism generally.”

“Thanks,” I respond. To which O’Dowd lets out a hearty laugh. His wife, Dawn O’Porter, is a television presenter and they have just had their first child, Art. When he talks about Walsh, it’s in reverential tones: “He’s a great journalist with a lot of integrity.” And that’s how O’Dowd plays him in The Program



THE PROGRAM is released and distributed by CAPTIVE CINEMA.

SHOWING ON MARCH 2. NATIONWIDE!

Ben Foster wanted to be experience what it was to be Lance Armstrong in ‘The Program’ [R13]


The Program, director Stephen Frears's latest film, will likely go down as the most in-depth, uncanny depiction of the rise and fall of Lance Armstrong to date. Credit goes to actor Ben Foster, who went to insane lengths to become Lance, taking on intense months of training, riding the most treacherous legs of the Tour de France while filming, dramatically fluctuating his weight by 30 pounds to portray every point of his career, from the top of the podium to the battle with cancer, and even going on his own regimen of performance-enhancing drugs "to more deeply understand what this world was about," Foster says between screenings at the Zurich Film Festival. He did everything but speak with the film's subject man-to-man. "In so many words, Lance Armstrong was not interested in talking with me. I couldn't blame him at all. I wouldn't have wanted to talk with me either." 




Did playing Lance Armstrong give you a new found appreciation for cycling?

I appreciate the rigor it demands, but I have not been on a bicycle since we finished shooting because I've been pretty deeply traumatized. I hadn't cycled before and only had a limited amount of time to 
train. Simply said it was an aggressive training process.


What drew you to the project?

The interest for me was working with Stephen Frears. He's made so many kinds of movies. To my eyes I can't find a signature style of his. Lance, on the other hand, is very recognizable. To get the opportunity to explore a subject that I knew very little about while working with a master filmmaker was a rare opportunity.

Do you think people in the States are still hurt by Armstrong's story?

I do. From what I've heard and who I've talked to about it in North America, people get very emotional. They're upset about the subject. In Europe it seems that they've been able to process what Lance did, while in the U.S., we haven't done that yet. So far, I don't think Lance Armstrong has apologized in a way that is palatable to us.


What are your own thoughts on how his scandal played out?

My job is all about defending the people that I play. I had to rationalize what he did. Early on Stephen would half joke that he was going to call the film "The Stupid American." I thought that wasn't too generous a title. We had different views and I hope that actually translates in the movie, that there are always two sides to the story. It's a little more complicated than saying he's a liar and a doper. He's a man who raised a half billion dollars for cancer research. He won the Tour de France seven times in a row and he wasn't the only one doping, he was just better at it. He did everything better. He moved the needle in all aspects of the sport while also doing a lot of good. His bullying was bullying people who were threatening his empire, and that empire was saving lives. I think calling him just a gangster is ignorant.


What did you read and watch of his appearances to prepare?

I watched everything. He's so recognizable. Sitting that long on a bicycle, it's going to even change the way that you walk. What made his story so accessible was the way that he communicated. His rage was always pretty close to the surface. I was interested in both the persona and the man behind the persona. The loneliness that must occur with people like that who are at the top of their field. To answer your question, the joy of the job is to ask questions and then consider them in both an emotional and physical way. You find that he had certain mantras, speaking about the will to survive, the way to better yourself. I imagine that he was a guy who looked around the room and thought, "Nobody is working as hard as I am. Nobody is as determined."


Did you hear any stories that proved particularly insightful to who Lance Armstrong was as a person?

This isn't a biofilm. You hear anecdotal stories. I would have liked to have partied with Lance. He sounds like he was a lot of fun. He went hard. I'd be talking out of turn if I talked about some of the stories, but I was most touched by the work and attention he did give the cancer community. He'd call up people that he didn't know who were struggling with the disease and just talk to them for two hours. He would talk about the hope that you need to get better. His visits to the hospitals were very moving, my aunt started a foundation called Conquer Cancer"in Boston, Massachusetts. It's a subject that's important to a lot of people, and though right now he may be out of favor, it's important to return to the fact that he did put in the time. He did raise that money. It wasn't just a cancer shield. He tried to better the planet.


What kind of preparation did you do to re-create Armstrong's appearance and cycling?

I was in very good hands. I rode with people who had rode with Lance in the peloton during the Tour de France. They did their best to teach me how to look like he did. We had a computer program that had analyzed his position on the bike. Then we did the best to match my look and stats with his. I was also working with his nutritionist and his mechanic during his time on the Postal team. I worked with a wellness doctor who helped create a program of performance-enhancing drugs that I could do as safely as possible. I did that because I felt it was important for me to more deeply understand what this world was all about.


Cobbles are one of the more challenging aspects of the Tour. How did you face up with those?

We shot them in Belgium in the rain and mud. Insurance was not there on set that day, which was for the best because if you go down, you may break a knee, and then the film's not happening. But keeping the handlebars loose in the hand, and keeping your balance is the trick behind those. I really loved riding the cobbles though. It's brutal but fun.


The weight-changes were really impressive. How did you lose that much?

That was all me. That was a very grumpy me. I knew neither was going to last too long but I had about two weeks to go from one to the other. There wasn't the money to support a more gentle change. To start, I was lifting a lot of weights, then I had two weeks to basically cannibalize my body. Shooting in sequence would have been ideal, but we didn't have that luxury this go around. Weee! [Laughs.]


The first shot, of you at Alpe, d'Huez, is incredible. How did it feel to be there?

It was fucking scary. We are there shooting in the French Alps and I haven't told anybody about this but I have terrible vertigo. Terrible vertigo. I've dealt with it. I've done bungee jumping. I've done wirework, but it's a paralyzing fear. David Millar was one of our champions who made sure the details of the cycling were correct in the film. He was handling the opening shot. It was being filmed on a four-wheeler, with a steadicam on it. It was able to tilt and weave with us. They said, "Just head down the mountain." Then they were asking me to speed up! I was riding the brakes for the first few minutes, but finally I had this moment where I started passing the camera. The competition part of your brain starts to take over and you want to tear the mountain apart. It was those moments where I started to understand the drug of the sport. The first bit of intensity in my face, though, was not, "I'm going to win." It was, "I'm going to die."


What do you think that you got out of this experience that will be useful in the rest of your career?

Very little scares me now. Once you ride down a mountain like that and don't die, it's hard to be scared anymore.


THE PROGRAMis released and distributed by CAPTIVE CINEMA.

SHOWING MARCH 2. NATIONWIDE!

Monday, February 22, 2016

NICOLE KIDMAN, JAMES FRANCO AND ROBERT PATTINSON IN “QUEEN OF THE DESERT” EXCLUSIVE AT AYALA MALLS CINEMAS [PG]

Opening on March 2 exclusively at Ayala Malls Cinemas is “Queen of the Desert” starring Nicole Kidman, James Franco and Robert Pattinson, a true story of the life of British explorer and adventurer, Gertrude Bell (Kidman). 




“Queen of the Desert” chronicles Bell’s journeys of love and loss in the Middle East during the early 20th century. Academy Award winner Nicole Kidman stars alongside Academy Award nominated James Franco, Golden Globe & Emmy Award winner Damian Lewis and Robert Pattinson. A curious and adventurous young woman eager to explore the world outside of England, Gertrude Bell (Kidman) goes to the British embassy in Tehran where she quickly falls in love with a secretary of the embassy, Henry Cadogan (Franco). This sparks the beginning of a life-long adventure among the beautiful but misunderstood peoples and cultures of the Middle East. Along the way, her path intersects with archaeologist T.E. Lawrence (Pattinson) also known as Lawrence of Arabia, and Major Charles Doughty-Wylie (Lewis), the British Consul General in the Ottoman Empire.

“Queen of the Desert” is written and directed by Werner Herzog. “I call it Werner World. Werner World is just a different realm. It’s glorious. I said to him, ‘Werner, I feel like I’ve been in a dream with you for the past two-and-a-half months, and now I’ve got my feet back on earth.’ I’m at a place where I’m so interested in exploring things and going places that I haven’t been. I want my life to be full, so that means all of us – my family – up and moving to Morocco and doing this so we can have the experience,” shares Kidman on working with the director.

Kidman’s interest in exploration mirrors Gertrude Bell’s own adventurous spirit. While Kidman admires Bell greatly, she also shares her insight of why Bell pursued travelling and adventure, “She went off and lived a life that I would only dream of living. What she did is amazing, but she did it through motivations that, I believe, come from huge loss so that’s fascinating in itself, too. And the landscape and what the desert gave her was her salvation.”

As Kidman discovered that while Bell was a true trailblazer in a time when women were not treated as equals, especially in politics, she also had ambiguous aspects. “There’s an interesting fact about Gertrude though, is that she was not a supporter of the suffragette movement, so that was fascinating,” says Kidman. Her extensive research of Bell enables her to bring a realistic and nuanced performance to this legendary character.



Of Kidman’s performance as Bell, director Herzog says, “Now, Nicole Kidman. Wait for that one. Wait for it. I make an ominous prediction: How good she is.”



“Queen of the Desert” opens March 2 at Ayala Malls Cinemas distributed by Axinite Digicinema. Check out the film’s trailer here: https://www.youtube.com/watch?v=eUYU65NbGkk&feature=youtu.be

Log on to www.sureseats.com for schedule and online ticket purchase. 




Tuesday, February 16, 2016

THE RISE OF A FAMILY BOSS WHO INVENTED MIRACLE MOP IN WINNING TELENOVELA MOVIE “JOY” [PG]

Starring Jennifer Lawrence in the title role, the relatable incredible success story in “Joy,” helmed by director David O. Russell explores of how one person, confronted with madcap circumstances, endless obstacles and a long road of self-searching, forges a meaningful, joyful life, loosely based on the life of Joy Mangano (home TV shopping magnate).




The film stars Academy Award® winner Jennifer Lawrence (American Hustle, Silver Linings Playbook, The Hunger Games series) as Joy, in a multi-hued portrait that spans from youth to her 40s, from dreams deferred to fighting for her honor to striving for self-fulfillment.

Says Lawrence: “This is a story about so many things. It’s not just the story of Joy. It’s about family, imagination, faith in yourself, about the ruthlessness of success and what it means when you find it. I love most of all how much Joy changes. I loved taking her from vulnerable and self-deprecating to cold and strong, and I loved that she turns into a real matriarch of her family.”

Joining Jennifer Lawrence on the journey of “Joy” is a wide-ranging, hugely accomplished ensemble cast typical of David O. Russell’s films including Robert De Niro as Joy’s hot-tempered yet hopelessly romantic father. De Niro embraced Rudy’s massive contradictions – his fiery temper and romantic charm, his blue-collar work ethic and love of style, his paternal regrets and love for his children.

If Rudy is a thorn in Joy’s life, Golden Globe nominee Edgar Ramirez takes on the role of Joy’s ex-husband, and is literally the man beneath her feet – still living in her basement (with her father) even though they are irrevocably divorced. Russell was intrigued immediately when he learned Joy Mangano was still close friends with her ex. “It’s a story not often seen on screen, where a couple gets divorced, yet remain best friends,” says the writer-director.

Joy’s bedrock supporter is her insightful and influential grandmother, Mimi, her role model as she tries to lead the family forward as a matriarch. Portraying Joy’s biggest champion is Diane Ladd, who has appeared in more than 120 film and television roles since she started her career on a 1970s soap opera and garnered three Academy Award® nominations: for Martin Scorsese’ ode to female independence, Alice Doesn’t Live Here Anymore, David Lynch’s Wild At Heart and Martha Coolidge’s Rambling Rose. Ladd says she was flat-out moved by the story. “We’re not living in the easiest of times, but I think this story reminds us that we all have a right to try to fulfill a dream. A lot of times you have to pick yourself up and dust yourself off but this film says ‘Get out there and don’t give up.’”

Lawrence was fascinated by how Joy stays so focused on her family’s constant needs– and then, suddenly, takes a dauntless leap for herself. “I think Joy always felt she had to be the rock of her family, the foundation holding everyone up,” she observes. “She forfeited her dreams to support everyone else and put them on hold for almost her entire life. She put other people in front for so long that I think it took time for her to realize there was something else inside her that had to be expressed, that had to breathe. And I think that’s why the story of Joy had to span four generations, because it often takes that long to create a full life. Joy kept burying that inventive part of herself but when she finally finds the faith in herself to move forward, it’s unstoppable when that happens. It’s addicting when you find that inner strength.”





A true-to-life rags-to-riches story stars when “Joy” opens in cinemas February 17 nationwide from 20th Century Fox to be distributed by Warner Bros.


Tuesday, February 2, 2016

RAGS-TO-RICHES STORY OF A STRUGGLING SINGLE MOM IN JENNIFER LAWRENCE STARRER “JOY” [PG]

Close to home, “Joy” introduces us to a woman who carries it all, played by Jennifer Lawrence in the titular role – being a single mom, caring for her parents, paying the bills and working 24/7 just to make ends meet. 


“Joy” follows on the heels of director David O. Russell’s “The Fighter,” “Silver Linings Playbook” and “American Hustle,” which between them garnered 25 Oscar® nominations. Each unleashed an unforgettable array of cinematic characters yet also honed in on a singularly compelling idea: the allure and trials of re-inventing oneself. Joy takes that same idea somewhere new – as Russell takes on the question of how one person, confronted with madcap circumstances, endless obstacles and a long road of self-searching, forges a meaningful, joyful life.

While Joy’s life moves forward, the film’s style hearkens back in time, revisiting and redesigning the craftsmanship and melodrama of classical Hollywood cinema for our image-laden times. The film stars Academy Award® winner Jennifer Lawrence (American Hustle, Silver Linings Playbook, The Hunger Games series) as Joy, in a multi-hued portrait that spans from youth to her 40s, from dreams deferred to fighting for her honor to striving for self-fulfillment.

Says Lawrence: “This is a story about so many things. It’s not just the story of Joy. It’s about family, imagination, faith in yourself, about the ruthlessness of success and what it means when you find it. I love most of all how much Joy changes. I loved taking her from vulnerable and self-deprecating to cold and strong, and I loved that she turns into a real matriarch of her family.”

Joining Lawrence is a typically wide-ranging Russell ensemble including Robert De Niro as Joy’s hot-tempered yet hopelessly romantic father; Edgar Ramirez as Joy’s ex-husband, a struggling musician living in the basement … with her father; Diane Ladd as Joy’s insightful and influential grandmother; Virginia Madsen as Joy’s soap-opera addicted mother; Isabella Rossellini as her father’s well-off Italian lover; Dascha Polanco as Joy’s life-long friend and confidante,; Elisabeth Rohm as Joy’s rivalrous sister and Bradley Cooper as the mogul-style home shopping executive who becomes both Joy’s ally and adversary.

“Joy” joins a long legacy of films about chasing dreams of success in business and family -- but it does so in its own comedic, emotional and inventive ways. The story began with the unlikely but real-life narrative of Joy Mangano, who in the 1990s became a new kind of television star and entrepreneurial powerhouse with a series of household inventions, including the famed, “self-wringing” Miracle Mop, which kicked-off the Long Island single mother’s ongoing business empire.


Says Russell: “The idea that drew me was how you tell the story of more than 40 years of a life, from the magic of childhood, through marriage, divorce and single parenthood, to going back to fulfilling on those childhood dreams? How do you tell the story of a person’s soul – and how that soul is comprised of all the people we love, the ideas we have, and the things we cherish? JOY brings together all these pieces. You have trauma and love. You have a girl who grows up in her father's metal garage and in her mother’s refuge of soap operas filled with strong women. You have a dreamer ex-husband in the basement who is still a friend and a loving sister who is an envious rival. And you have a cable television station in Lancaster, Pennsylvania that becomes a factory of dreams. In the middle of it all, you see Joy develop a quietly fierce determination that sees her through.” 

 

An inspiring, light-hearted film, catch it with family, friends and business partners when “Joy” opens February 17 in cinemas from 20th Century Fox to be distributed by Warner Bros.


Wednesday, January 27, 2016

“JOY” MOVIE LISTS AMAZING WOMEN OF HISTORY INCLUDING FILIPINO SCIENTIST DR. FE DEL MUNDO [PG]


What keeps a person trying and trying then faltering and then knocking their head against the wall until the point of success? And what then transforms all the exasperating ups and downs that follow on the heels of success into a sustaining sense of joy and discovery? David O. Russell’s 8th feature film, “Joy,” probes four decades in the upward-moving life of a single-mom-turned-business-magnate to explore how daring, resilience and the persistence of vision carry people from the ordinary into extraordinary moments of creation, striving and love.


Starring Academy Award winner Jennifer Lawrence, based loosely on the life and rise of inventor and home shopping star Joy Mangano, the genre-blurring story of “Joy” follows the wild path of a hard-working but half-broken family and the young girl who ultimately becomes its shining matriarch and leader in her own right. Driven to create, but also to take care of those around her, Joy experiences betrayal, treachery, the loss of innocence and the scars of love as she finds the steel and the belief to follow her once-suppressed dreams. The result is an emotional and human comedy about a woman’s rise – navigating the unforgiving world of commerce, the chaos of family and the mysteries of inspiration while finding an unyielding source of happiness.

“Joy” opens this February 17 across Philippine cinemas from 20th Century Fox to be distributed by Warner Bros. Along with Joy Mangano, the following pioneering female inventors share the limelight in celebrating the exhilarating ride that “Joy” explores on their daring resilience and the persistence of their vision that carried them from the ordinary into being extraordinary, one of them is Filipino genius Fe Del Mundo.

Filipino Scientist Dr. Fe Del Mundo: Inventor of Low-Cost Incubator in 1941 (November 27, 1909 – August 6, 2011)

Dr. Fe del Mundo was the first Asian woman and the first Filipina to be accepted at the prestigious Harvard University School of Medicine. Her specialization was on pediatrics, and she is best known to the Filipinos as the designer of a low-cost incubator made of bamboo and other local materials. She published more than 100 articles in medical journals, and trained various medical practitioners in and out of the country. She was also the first Filipina to be conferred the rank of National Scientist in 1980.


Single-mother Bette Nesmith Graham invents correction fluid in 1951 (March 23, 1924—May 12, 1980)

Born in Dallas, Texas, Bette Nesmith Graham, a single, divorced mother, working as a secretary at Texas Bank and Trust used to find it difficult to erase mistakes on her typewriter. Graham, who was also a talented painter, knew that with lettering, an artist never corrects by erasing a mistake, but by painting over the error. In 1951, she invented the first correction fluid in her kitchen, using tempera paint and an ordinary kitchen blender. She called the fluid Mistake Out. The name was later changed to Liquid Paper.


German housewife Melitta Bentz invents modern coffee filter system in 1908 (January 31, 1873—June 29, 1950)

Born in Dresden, Bentz, an enterprising mother of two, was fed up cleaning and constantly wringing out stained cloth filters, and scraping sludge off the bottom of unfiltered pots when she was making coffee. Bentz experimented with different types of paper and devised an easily disposable filtration system by laying a piece of paper over the perforated bottom of a brass pot.

British student Emily Cummins invents eco-friendly, solar-powered fridge in 2009 (February 11, 1987)

British Inventor Emily Cummins is passionate about sustainable designs that have the ability to change lives. She credits her grandfather as her greatest inspiration. ‘He gave me a hammer and began to teach me how to make toys from scraps of materials found in his garden shed.’ Her entry into a sustainable design competition, a ‘pullable’ water carrier for water workers in Africa, earned her a Technology Woman of the Future award in 2006.


Marjorie Joyner: the first black woman to receive a patent, for her Permanent Waving Machine in 1928. (October 24, 1896—December 27, 1994)

Born in Virginia, the granddaughter of a slave and slave-owner, Marjorie Joyner grew up in poverty and went onto become the first black woman to graduate from the A.B. Molar Beauty School in Chicago. While making a pot roast one day, she noticed how long, thin rods held the pot roast and heated it up from the inside. She imagined a design using rods saying, ‘I figured you could use them like hair rollers, then heat them up to cook a permanent curl into the hair’.



Mary Anderson invents windshield wipers (1863-1953)

Anderson was born in Green County, Alabama and moved west to Fresno, California, where she operated a cattle ranch and vineyard. In the winter of 1902, she visited New York and observed how dangerous it was when snow and sleet slowed down streetcars, obscuring vision. Anderson sketched a solution in her notebook: a ‘squeegee’ wiper on the outside of a windshield, connected to a lever on the inside.


Russian immigrant Ida Rosenthal designs the modern-day bra in 1920s.

(January 9, 1886—March 29, 1973)

Ida Rosenthal was born in Rakow near Minsk, the eldest of seven siblings. When she was sixteen, she moved to Warsaw, where she worked and took classes in Russian and mathematics. She immigrated to America aged 18, following her fiancée William Rosenthal. They married and she opened a dress shop with her husband, working closely with another dress shop owner, Enid Bisset. At the time Bisset and others were making bandeaus for women who wanted to flatten the figure; this was the ‘flapper’ era, when the boyish look was fashionable. Rosenthal, who was voluptuous, deplored the fashion: "why fight nature?" she asked. She set about designing bras in different sizes and built them into the dresses she sewed, as cups, which separated and supported the breasts, ‘lifting’ instead of flattening.



Austrian actress Hedy Lamarr: pioneers wireless communication in in 1941 (November 9, 1914—January 19, 2000)

Hedy Lamarr was born Hedwig Eva Maria Kiesler in Vienna. During the 1920s, she moved to Berlin to study acting. Immigrating to America, she shot to stardom in Hollywood and was known as ‘the most beautiful woman in the world’. However, that wasn’t to be her greatest claim to fame! Her leading men included Clark Gable, Robert Taylor, and Spencer Tracy. But her accomplishments as a scientist are even more remarkable. During World War II, together with the composer, George Antheil, she developed a ‘Secret Communications System’ with the goal of helping to combat the Nazis. By manipulating radio frequencies at irregular intervals between transmission and reception, the invention was intended to form an unbreakable code to prevent classified messages from being intercepted by enemy personnel. It was meant for radio-guided torpedoes, and the pair gave it to the US Navy. Lamarr and Antheil received a patent in 1941, but the significance of their invention wasn’t appreciated until years later. It was implemented on naval ships during the Cuban Missile Crisis. What is fascinating is that the invention would eventually revolutionize mobile communications, paving the way for cell phones and fax machines.



Celebrated cook Ruth Wakefield invents the first chocolate chip cookies in 1930 (June 17, 1903—January 10, 1977)

Ruth Wakefield was a trained dietician and food lecturer. In 1930, Wakefield and her husband bought a tourist lodge in Whitman, Massachusetts. Located at the halfway point between Boston and New York, many travelers paid a toll, changed horses, and ate home-cooked meals at the lodge. Wakefield’s lobster dinners and desserts were famous. In 1930, Wakefield was mixing a batch of cookies, when she added broken pieces of chocolate: the result was a tray of the first chocolate chip cookies. She called her creation Toll House Crunch Cookies. The recipe made its first appearance in the 1938 edition of Wakefield’s “Tried and True” cookbook. The cookies became massively popular and eventually, Andrew Nestle and Ruth Wakefield made an agreement—Nestle would print the Toll House Cookie recipe on its package, and Wakefield would be given a lifetime supply of Nestle chocolate!



Margaret Knight invents the modern paper ‘grocery’ bag (February 14, 1838—October 12, 1914)

Born in Maine and raised by a widowed mother, from a young age, Knight displayed a passion for inventing. At age 12, she observed a textile accident at the mill where she worked. She came up with a device that would automatically stop a machine if something got caught in it. Soon, her invention was being used in the mills. After the Civil War, Knight worked in a paper bag plant, which inspired her to create a paper bag that would make it easier to pack items. She designed the machine that automatically folded and glued the bottom of bags, creating the flat-bottom paper bags we still use today.




  “Joy” is SHOWING ON February 17  nationwide from 20th Century Fox to be distributed by Warner Bros.






Monday, January 18, 2016

SUCCESS STORY IN MODERN-DAY AND TRUE-TO-LIFE TELENOVELA MOVIE “JOY” [PG]

The quote on family that says “No family is perfect. We argue, we fight. We even stop talking to each other at times, but in the end, family is family, the love will always be there” is all true in the upcoming modern-day true-to-life telenovela movie “Joy” starring Academy Award winner Jennifer Lawrence directed by acclaimed filmmaker David O. Russell that also stars Robert De Niro, Bradley Cooper, Virginia Madsen, Edgar Ramirez, Isabella Rosselini, Diane Ladd and Dascha Polanco.



“Joy” joins a long legacy of films about chasing dreams of success in business and family -- but it does so in its own comedic, emotional and inventive ways. The story began with the unlikely but real-life narrative of Joy Mangano, who in the 1990s became a new kind of television star and entrepreneurial powerhouse with a series of household inventions, including the famed, “self-wringing” Miracle Mop, which kicked-off the Long Island single mother’s ongoing business empire.




The story – with its everyday contours but outsized dreams -- grabbed the attention of David O. Russell, always drawn to that very specific mix. He saw in it the blossoming of a gutsy, ingenious woman and an inspiring story of someone taking a chance on long-buried dreams while never losing the sense of duty to family at her core.

Says Russell: “The idea that drew me was how you tell the story of more than 40 years of a life, from the magic of childhood, through marriage, divorce and single parenthood, to going back to fulfilling on those childhood dreams? How do you tell the story of a person’s soul – and how that soul is comprised of all the people we love, the ideas we have, the things we cherish? “Joy” brings together all these pieces. You have trauma and love. You have a girl who grows up in her father's metal garage and in her mother’s refuge of soap operas filled with strong women. You have a dreamer ex-husband in the basement who is still a friend and a loving sister who is an envious rival. And you have a cable television station in Lancaster, Pennsylvania that becomes a factory of dreams. In the middle of it all, you see Joy develop a quietly fierce determination that sees her through.”

Russell also saw “Joy” as the chance to tell a different kind of rise-to-riches story: the story of a business magnate’s emergence from a blue-collar domestic world still oft-ignored in cinematic epics.

“Half or more of the movie is based on Joy Mangano, and the other half is based on daring women I’ve been aware of and read about for many years,” Russell explains. “That includes Lillian Vernon, who started the first big mail order catalogs for household products. It also includes numerous other women I’ve known, who dared to start ventures, some that succeeded and some that failed. I am fascinated by the kind of spirit that drives someone to start a venture out of their home and try to break a new path for themselves and their families. So many women throughout history have felt dead ended and had to carve out their own opportunities.”

Because the film is created as a lived experience of Joy’s up-and-down search for happiness, JOY is also Russell’s most visually inventive film. Joy’s everyday reality – and the constant tug-of-war she faces between necessity and achievement – is punctuated in bursts by hyper-melodramatic soap opera sequences, song-and-dance, surreal daydreams and bewitching snowflakes.

Russell muses. “In the soap opera world all these big, gothic, melodramatic things happen. People are constantly speaking about betrayal, treachery, money and death – so it’s like Gogol, Tolstoy or Dostoevsky. But soap operas are also often about bold women and aspiration, and that’s why they strike a chord.”






“Joy” opens February 17 in cinemas nationwide from 20th Century Fox to be distributed by Warner Bros. 


Monday, January 4, 2016

“EDDIE THE EAGLE” TRAILER REVEAL

Eddie never gives up and likes to prove his detractors wrong. Sounds universally familiar? Just like the unbreakable focus and determination of the recently crowned Ms. Universe 2015, Philippines’ Pia Alonzo-Wurtzbach comes an inspiring story based on true events in “Eddie The Eagle” starring Hugh Jackman and Taron Egerton.




From the producers of the blockbuster action movie “Kingsman: The Secret Service,” the feel-good story of “Eddie The Eagle” is about Michael “Eddie” Edwards (Egerton), a courageous yet unlikely British ski-jumper who never stopped believing in himself – even as his family and the entire nation initially counted him out. Persistently trying to perfect his skill with the help of a rebellious and charismatic coach, portrayed by Hugh Jackman, Eddie eventually wins the hearts of sports fans round the globe when he performed a historic feat at the 1988 Calgary Winter Olympics. A lovable underdog with a never-say-die attitude will rise in “Eddie The Eagle” when it opens in cinemas this April 2016.


From 20th Century Fox, check out “Eddie The Eagle” trailers here:

Wednesday, December 16, 2015

“JOY” MOVIE STARRING JENNIFER LAWRENCE NOMINATED IN BEST PICTURE AND BEST ACTRESS CATEGORY



Academy Award® winner Jennifer Lawrence stars in this year’s highly-anticipated movie “Joy” this awards season directed by of David O. Russell that probes four decades in the upward-moving life of a single-mom-turned-business-magnate to explore how daring, resilience and the persistence of vision carry people from the ordinary into extraordinary moments of creation, striving and love.



“Joy” has recently been nominated for two major awards in the upcoming (2016) Golden Globes – Best Motion Picture, Comedy and Best Actress In a Motion Picture, Comedy (Jennifer Lawrence). "I am incredibly grateful to be recognized by the Hollywood Foreign Press for my role in JOY. It was an enormous privilege to play such an amazing woman. And it is an honor to be among the other extraordinarily talented women in this category. I share this with David O. Russell and the incredible cast and crew,” says Lawrence on her nomination.



The movie is based loosely on the life and rise of inventor and home shopping star Joy Mangano, the genre-blurring story of JOY follows the wild path of a hard-working but half-broken family and the young girl who ultimately becomes its shining matriarch and leader in her own right. The result is an emotional and human comedy about a woman’s rise – navigating the unforgiving world of commerce, the chaos of family and the mysteries of inspiration while finding an unyielding source of happiness.



“Joy” follows on the heels of David O. Russell’s “The Fighter,” “Silver Linings Playbook” and “American Hustle,” which between them garnered 25 Oscar® nominations. Each unleashed an unforgettable array of cinematic characters yet also honed in on a singularly compelling idea: the allure and trials of re-inventing oneself. Joy takes that same idea somewhere new – as Russell takes on the question of how one person, confronted with madcap circumstances, endless obstacles and a long road of self-searching, forges a meaningful, joyful life. While Joy’s life moves forward, the film’s style hearkens back in time, revisiting and redesigning the craftsmanship and melodrama of classical Hollywood cinema for our image-laden times.



Joining Lawrence is a typically wide-ranging Russell ensemble including Robert De Niro as Joy’s hot-tempered yet hopelessly romantic father; Edgar Ramirez as Joy’s ex-husband, a struggling musician living in the basement … with her father; Diane Ladd as Joy’s insightful and influential grandmother; Virginia Madsen as Joy’s soap-opera addicted mother; Isabella Rossellini as her father’s well-off Italian lover; Dascha Polanco as Joy’s life-long friend and confidante,; Elisabeth Rohm as Joy’s rivalrous sister and Bradley Cooper as the mogul-style home shopping executive who becomes both Joy’s ally and adversary.



Says Lawrence: “This is a story about so many things. It’s not just the story of Joy. It’s about family, imagination, faith in yourself, about the ruthlessness of success and what it means when you find it. I love most of all how much Joy changes. I loved taking her from vulnerable and self-deprecating to cold and strong, and I loved that she turns into a real matriarch of her family.”



“Joy” opens very soon in Philippine cinemas this February 17, 2016 from 20th Century Fox to be distributed by Warner Bros.