One Meralco Foundation supports Filipino-made biopic ‘Ignacio de Loyola’

One Meralco Foundation (OMF), the social responsibility arm of power distributor Meralco, is the co-presenter of “Ignacio De Loyola,” a historical drama based on the memoirs of St. Ignatius of Loyola, founder of the Society of Jesus whose members, the Jesuits, are known for their educational, missionary, and charitable works worldwide.

(L-R) One Meralco Foundation (OMF) president Jeffrey Tarayao, Jesuit Communications Foundation executive director Fr. Emmanuel Alfonso, SJ and OMF vice chairman Oscar Reyes

The new full-length independent feature film produced by Jesuit Communications (JesCom) Philippines documents the life and times of St. Ignatius, a Spanish knight who lived a life of vice and violence before he became a changed man and offered himself to the service of God.

One Meralco Foundation President Jeffrey O. Tarayao said there is probably no other film more deserving of their support.


“Being the first locally produced movie screened at the Vatican, the biopic will not only strengthen religious beliefs, but will also showcase Filipinos’ film-making acumen,” he said.


“Ignacio De Loyola” was filmed in Spain starring Spanish actors led by Andreas Muñoz, and had an all-Filipino core production crew led by director Paolo Dy, JesCom head Fr. Emmanuel “Nono” Alfonso, SJ, and JesCom creative director Pauline Mangilog-Saltarin.

‘Ignacio de Loyola’ film director Paolo Dy.

Tarayao shared that OMF values are perfectly aligned with Jesuits’ teachings: “We at OMF have always heeded the call for us to become men and women for others – a hallmark Ignatian value.

‘Ignacio de Loyola’ lead actor Andreas Muñoz in one of the scenes in the film.

Leading by example by putting to life the tradition of service to humanity, OMF Chairman Manny V. Pangilinan is a graduate of the Jesuit-run Ateneo de Manila University, and so are OMF Vice Chair Oscar S. Reyes and Trustee Alfredo S. Panlilio, who heads Meralco’s Customer Retail Services and Corporate Communications.



Movie-goers can catch the film starting July 27 in cinemas nationwide. Visit www.ignaciomovie.com, facebook.com/ignaciomovie and follow @ignaciomovie on Twitter and Instagram for more details.

AYALA MALLS CINEMAS’ LATEST ROCKING REVEAL IN THE NORTH U.P. TOWN CENTER’S 4DXTM, RECLINER SEATS AND POWERFUL DOLBY ATMOSTM TECHNOLOGY

Buckle up, sit tight and rediscover movies as Ayala Malls Cinemas’ U.P. Town Center (along Katipunan Ave., QC) opened the first 4DXTM screen in the city at its recent launch (July 15) of its multiplex of cinemas that also houses luxurious recliner seats and the latest in

 

Dolby Atmos technology.

Responsive to the needs of the community, Ayala Malls Cinemas’ U.P. Town Center intensifies the cinematic experience notches higher with its four (4) state-of-the-art cinemas – (1)Recliner seats equipped in Dolby AtmosTM , (2) Dolby digital theatres and (1) 4DXTM cinema.

Be in the movie by using all of your senses with U.P. Town Center’s 4DXTM cinema, the first of its kind in northern Metro Manila. Stimulating not just the eyes but the rest of the senses too, 4DXTM has indeed transformed the experience of watching movies. Its 4DXTM motion chairs are equipped with bottom and back shakers and leg ticklers - tilts forward, backward, side to side and nudges in the back. Further immersing the audience, the cinema’s environmental effects feature that emits wind, bubbles, different scents, water, fog and lightning are seamlessly synchronized with the action on screen.

For the keen listener, another first in the area is the Dolby AtmosTM technology that creates powerful, moving audio and introduces two important concepts to cinema sound – audio objects and overhead speakers. Sounds flow all around the cinema while comfortably watching in the motorized recliner seats while fully engaged with what’s happening on the big screen – 2D, 3D and 4DX.

Hungry for more? Complementing an unparalleled impressive cinematic experience, U.P. Town Center Cinemas has a Movie Snack Bar too that also offers a wide range of snacks and refreshments for a fully satisfying movie treat.

The only University Town Center in the country, U.P. Town Center Cinemas’ schedule can also be accessed at Ayala Malls Cinemas’ www.sureseats.com – an online portal of movie schedules where one can reserve and buy tickets in advance. Additionally, Ayala Malls Cinemas’ MPass card is a reloadable prepaid movie card that comes in handy for online and over the counter ticket purchases which also offers exclusive promos.

Present during the launch of U.P. Town Center Cinemas featuring the latest “Ghostbusters” movie are Ms. Rowena M. Tomeldan - President of Ayala Land Malls Inc., Atty. Rolly S. Dueñas - Deputy General Manager of Ayala Malls Cinemas, Mr. Robert J. Lotho - General Manager of U.P. Town Center, Mr. Amir V. Precilla - General Manager of Ayala Malls Cinemas and Mr. Mark L. Sablan - Senior Division Manager of Ayala Land Inc.

The event was graced by celebrities and prominent personalities such as Angelika dela Cruz, Jane Oneiza, Leo Katigbak, Sec. Rene Almendras, Vincent Del Rosario, Loisa Andalio, Jairus Aquino and Yves Flores.

DAD BECOMES CAT IN MAGICAL FAMILY MOVIE “NINE LIVES”

From the director the worldwide blockbuster action comedy film “Men In Black,” filmmaker Barry Sonnenfeld brings together a cast of actors in his latest family movie “Nine Lives” led by Kevin Spacey with Jennifer Garner, Robbie Amell, Malina Weissman, Christopher Walken and Cheryl Hines.

In “Nine Lives,” an immensely successful businessman who has built an empire at the expense of any sort of true human connection, Tom Brand (Spacey) is surrounded by good people who love him in spite of his skyscraper-sized flaws. But it isn’t until he finds himself with four paws and a tail that Tom realizes how lucky he’s been.

A unique mix of heartwarming family fare, supernatural mystery and slapstick comedy, “Nine Lives” also delivers the thrill of seeing one of the most talented actors of our time inhabiting the body of an adorable cat named Mr. Fuzzypants. Hearkening back to films as diverse as It’s a Wonderful Life, Big and Freaky Friday, it’s a concept that should appeal to audiences from 5 to 85 — and one that Kevin Spacey was excited to join.

“For me, this is a great opportunity because I love doing comedy,” explains the two-time Oscar® winner. “People often think of me in a darker, more evil kind of part. But it’s a great joy for me to be able to come to work every day and do something that’s really funny, really fast and very clever.”

Sonnenfeld, whose long list of hits also includes “The Addams Family,” “Get Shorty” and “Wild Wild West,” says the film falls squarely in his wheelhouse. “It’s what I do as a filmmaker: It’s fantasy and it’s funny but it’s also real,” explains the director. “It’s a very funny movie in a fantastic situation that somehow is totally grounded in reality.”

According to co-writer Ben Shiffren, the goal of the script was to tell a story with humor and heart about a man who has alienated his family by spending all his time at the office and is forced, through a magical intervention, to reassess his priorities. “We wanted the tone be a bit more mature than just a typical ‘cat hijinks’ movie, so parents are able to appreciate it as well as kids,” he adds.

At the same time, the writers wanted to mine the rich comedic potential of a self-centered and controlling person trapped in a pet’s body, says co-writer Daniel Antoniazzi. “Part of Tom Brand’s karmic punishment for ignoring his family is that he gets to hear what they think of him, and hear how they miss him, how they love him. But also how he’s done wrong, the times he’s missed out on life events.”

Producer Jonathan Vanger describes “Nine Lives” as a light-hearted comedy with “a lot of fun things in it, including animals, children and some great actors.” He credits Sonnenfeld with bringing it all together into a fresh, funny, family-friendly fable. “I’ve seen all of Barry’s movies, but I hadn’t met the man before working on this film. He is extremely efficient and knows exactly what he wants. It’s a delight to work with a director who is that well organized, and is able to make the movie he wants, almost editing it in the camera as he goes along. It’s pretty impressive.”

Family movie “Nine Lives” opens August 31 in cinemas nationwide from Pioneer Films. Trailer of Nine Lives:https://www.youtube.com/watch?v=lppZ9i1KcTk&list=PLPzPHkB8W5ae_dDnQ180cNi_modwkqgIv

Pioneer Films: MODERN DAY MOTHERHOOD QUIRKS IN HILARIOUS “BAD MOMS” MOVIE

In the latest totally relatable movie for mothers all over the world, “Bad Moms” brings together three overworked and under-appreciated moms who ditch conventional responsibilities for a jolt of long overdue freedom, fun, and comedic self-indulgence when pushed beyond their limits. 

The most hilarious authentic comedy of the year, “Bad Moms” stars Mila Kunis, Kristen Bell (played Anna in “Frozen”) and Kathryn Hahn, written by Jon Lucas and Scott Moore who also penned the highly successful “The Hangover” film series. The movie is produced by blockbuster maker Suzanne Todd, who is behind worldwide hits such as “Alice In Wonderland” and “Austin Powers” movies.

“Bad Moms” sees Amy (Kunis), leading a seemingly perfect life - a great marriage, overachieving kids, beautiful home, stunning looks and still holding down a career. However she's over-worked, over committed and exhausted to the point that she's about to snap. Fed up, she joins forces with two other moms, Kiki (Bell), a stay-at-home mom and Carla (Hahn), a single mom who all go on a quest to liberate themselves from conventional responsibilities, going on a wild un-mom like binge of freedom, fun and self-indulgence - putting them on a collision course with PTA Queen Bee Gwendolyn (Christina Applegate) and her clique of devoted perfect moms, Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).

Producer Todd, who is also a working mom hopes that multi-tasking mothers and those around them will take cues from “Bad Moms” on indulging themselves of the much needed breaks every now and then. “Obviously, I’m a working mom and I’ve always been, so I think that all moms are very hard on themselves,” she said. “In the movie, we get to take that on in a real way. I hope that people will go see this movie and come out of it and feel a little differently about themselves and the world or maybe they will feel like ‘I am doing a good job.’”

Likewise, Kunis further echoes Todd’s thoughts, “I think people like to know they’re not alone. And I think that the second you’re like, “Oh wait,” it’s something you can poke humor at and make light of. I think before, when my parents were raising my brother and I, everything had to look perfect. Whether it was or wasn’t you just didn’t air your dirty laundry so to speak. And I think nowadays, if it’s going wrong I call my best friend like, “I don’t know, there’s this color coming out of her nose and I’m pretty sure she’s dying.” It’s okay to do that now and I don’t think it necessarily was okay before. So I think this movie kind of brings light to that.”
 

“Bad Moms” opens August 3 in cinemas from Pioneer Films. Check out the film’s trailer here: https://www.youtube.com/watch?v=_GLe9Tad6TI

SOCIAL MEDIA ADDICTS VIE FOR TOP SPOT IN “NERVE” [PG}

Voyeurism is at its peak in this year’s most awaited movie on social media and the virtual reality people live today in “Nerve” starring Emma Roberts and Dave Franco.

 

A shy, high school girl Vee (Roberts) is suddenly catapulted into the limelight when she breaks out of her comfort zone and impulsively signs up for Nerve, an adrenaline-fueled competition that streams live over the internet. Young thrill-seekers challenge each other to a series of dares that rapidly escalate from mildly embarrassing to downright deadly, as an anonymous community of “watchers” instigates the action.

Parallel to the virtual reality the world lives in today, “Nerve” boldly introduces the effects of social media addiction disorder – a situation in which a user becomes so obsessed with social media that they spend an inordinate amount of time watching and playing on preferred social site. As Vee is partnered with a mysterious stranger, Ian (Franco), their instant chemistry makes them online stars and fan favorites. As the night wears on, though, Vee alienates her longtime friends and puts her life on the line in pursuit of money and celebrity.

High on her success, Vee’s social media addiction disorder reflects on her growing number of friends online – as per experts, the average number of friends per user is about 250 as opposed to having thousands of “friends” which can be considered as strangers. Additionally, such disorder is accompanied with logging into your page the first thing in the morning, checking it just before sleeping, constantly updating your profile or status to get “likes” and comments, and fretting about how many “likes” or “comments” the photos you post are generating.

As Vee comfortably lives her newfound fame, who suddenly became the high-octane Cinderella, her life is at the same time being ripped apart. Making a discovery about Ian’s past, Vee finds her family’s future at risk as the tension mounts and the stakes rise, Vee must ultimately choose to win or lose to life or death.

Roberts says she thinks twice now when she uses Instagram, Twitter—or even email. “Nothing’s ever truly private. I think this movie taps into that feeling. Whatever you post can potentially be seen by anyone, whether you want it to be or not.”

Each game of Nerve lasts only 24 hours; then a winner is declared and it moves on to the next challengers. “The movie asks the audience the same question Vee asks herself,” says director Schulman. “Are you a watcher or a player? Not just in the game of Nerve, but in life itself. Vee has played it safe her whole life, but Nerve pushes her to take chances, which can be very dangerous. If you play, you may get hurt, or you may win and become a celebrity and make a lot of money. You can take the safe road, or you can take the risk. It’s all up to you.”

Produced by Allison Shearmur, p.g.a. the one behind the young adult blockbuster “The Hunger Games: Catching Fire” and directed by duo thrill makers Henry Joost & Ariel Schulman who also helmed “Catfish” and “Paranormal Activity 3,” “Nerve” is an action-packed urban adventure based on the popular novel by Jeanne Ryan.

 

 

Be a part of this year’s life-changing game when “Nerve” opens July 27 nationwide in cinemas from Pioneer Films. 

 

 

Pioneer Films- DRONES TARGET SUICIDE BOMBERS IN “EYE IN THE SKY” [R13]

Oscar-winner Dame Helen Mirren stars with Emmy winner Aaron Paul in “Eye in the Sky” where Helen Mirren plays Colonel Katherine Powell, a UK-based military officer in command of a top secret drone operation to capture terrorists in Kenya. “Breaking Bad” star Aaron Paul features as pilot, Steve Watts, who operates the drone from a United States Air Force base deep in the Nevada desert.

Through remote surveillance and on-the-ground intel, Powell discovers the targets are planning a suicide bombing and the mission escalates from “capture” to “kill.” American and British military chiefs are afforded the opportunity to remotely assassinate a key terrorist target, Susan Danford (Lex King), also known as Ayesha al-Hady, an English convert and high-value al-Shabab terror suspect. 

 

 

The decision to destroy the targets is further complicated by the problem of collateral damage, which again has to be measured from afar. The collateral damage caused by a drone strike extends beyond potential human casualties. The killing of civilians, even accidentally, has a profound impact on the propaganda war. The question remains: when to use a weapon of war? And what are the consequences of using that weapon? The weapon may be effective at taking out a target but what are the unintended consequences of using the weapon? 

As director Gavin Hood (known for directing “X-Men Origins: Wolverine”) identifies, when a Hellfire missile is fired from a high-flying drone, it’s not as precise as a sniper’s bullet. “They give rise to very large explosions, throwing lots of debris around,” the director explains. “Inevitably, when you see that explosion in the film it becomes very difficult to argue that no collateral damage could occur. On the contrary, you see that it very easily can occur.

Hence, the casting decisions were absolutely crucial. Arguably the most hawkish character in the film. “Originally, the Helen character was a man but then we said, ‘Why don’t we make this character a woman?’,” explains producer Ged Doherty. “And that completely changed the complexity of the piece. The idea of having Helen was so brilliant because, on the one hand, you might think, ‘Well, a woman would think twice perhaps before she pulled the trigger.’ Equally, you know it is Helen Mirren and you know that she can play a badass. You’re never quite sure which way she’ll go. Helen gives the character that perfect balance and we went to her with the role straightaway.”

Hood adds, “What is so brilliant about an actress like Helen Mirren is that even as she’s making decisions that may be morally questionable, you completely believe that she is sincere in taking that position — given the role that she has as a Colonel in the British military. So we empathise with her even in moments that we may not agree with her, and similarly with Aaron Paul’s character.”



“Aaron Paul’s character stands up to Colonel Powell,” explains Hood, “but the key is for him to do it in a way that comes from a real place. He is the person who actually has to pull the trigger. Other people may be making decisions to fire the missile, but ultimately, Steve fires the weapon. And to imagine what that must feel like, you need an actor who invites you into his dilemma and doesn’t judge the character that he’s playing.



“I hope it’s the case that you like Helen and you like Aaron even though they’re coming at it from completely different positions,” he adds. “You may not agree with them over certain points but you can see that they’re real people wrestling with a real dilemma in a real way.”

“Eye in the Sky” opens July 20 in cinemas nationwide from Pioneer Films.

“X-MEN ORIGINS: WOLVERINE” DIRECTOR GAVIN HOOD HELMS NEW FILM “EYE IN THE SKY” [R13]

Acclaimed filmmaker Gavin Hood, known for his works in worldwide hits ““X-Men Origins: Wolverine,” “Tsotsi” and “Ender’s Game” brings together Award-winning actors Helen Mirren (Oscar® and Golden Globe Award® for her portrayal of Queen Elizabeth II in “The Queen”) and three-time Emmy Award winner Aaron Paul (“Breaking Bad”) in the contemporary international thriller “Eye in the Sky.” 

Set in the modern yet shadowy world of remotely piloted drone warfare, “Eye in the Sky” boards a top-flight ensemble cast that also includes Alan Rickman, Jeremy Northam, Iain Glen and Phoebe Fox, the film deftly explores a political, legal and moral minefield in which every decision comes at a steep price.

“Eye in the Sky” brings Helen Mirren in the midst of complicated mission as she plays UK Colonel Katherine Powell who is tracking a British national, Susan Danford (Lex King), suspected of working with the East African terrorist group Al-Shabaab. The operation is a complex and coordinated effort between different countries. On the ground, Kenyan intelligence operatives, like Jama Farah (Barkhad Abdi), keep an eye on the suspects. From the air, US Air Force pilots, like Lt. Steve Watts (Paul), remotely fly drones from a Nevada bunker to provide an eye in the sky. In London, Powell coordinates these various forces, as well as communicates to a panel of government officials above her. Her supervisor, Lieutenant General Frank Benson (Rickman), observes the operation remotely with a select group tasked with providing judicial and government oversight. UK Attorney General George Matherson (McCabe) adjudicates the legality of the unfolding operation, while Minister of State for Foreign and Commonwealth Affairs Brian Woodale (Northam) and Parliamentary Under Secretary of State Angela Northam (Monica Dolan) oversee the optics and ethics of the mission. Together, these figures form the ‘kill chain’, an attack structure that co-ordinates target identification and the specific force dispatched to remove the target. 

Aaron Paul as Steve Watts

Following His 2007 film “Rendition,” director Gavin Hood returns to the realm of contemporary warfare with the tense thriller “Eye in the Sky.” The decision to destroy the targets is further complicated by the problem of collateral damage, which again has to be measured from afar. “Guy’s script created a very complex scenario,” continues filmmaker Gavin Hood, a South African filmmaker who counts the likes of “Ender’s Game” (2013), “X-Men Origins: Wolverine” (2009) and “Tsotsi” (2005) among his directing credits. “The script is informative in the way that it sets up the landscape, the chain of command and the way modern drone warfare is used. 

 

Alan Rickman as Lieutenant General Frank Benson

Helen Mirren as Colonel Katherine Powell

The collateral damage caused by a drone strike extends beyond potential human casualties. The killing of civilians, even accidentally, has a profound impact on the propaganda war. “That is a very important conversation,” says Hood. “Are drone strikes, which inevitably do result in civilian casualties, actually generating so much anti-Western sentiment that whatever success they may have in taking out a high-value individual, is offset by a growing animosity for the West? That’s a propaganda question. In war, propaganda is an extremely important tool. Are we creating negative propaganda towards the West through the use of drones?

“I think the film asks whether we really are winning when using this form of warfare. Are we really winning when using these drones? When should we use this technology? What are the consequences of using this technology? Come and see this movie and you can decide for yourself.”

 

 “Eye in the Sky” opens July 20 in cinemas nationwide from Pioneer Films. 

 

 

MISSION TO CAPTURE TURNS KILL MISSION IN “EYE IN THE SKY”

Academy Award-winner Helen Mirren stars in the white-knuckle thriller “Eye in the Sky” that tackles the moral ambiguities of modern-day warfare. Co-starring with Mirren are three-time Emmy Award winner Aaron Paul (from “Breaking Bad”) and the late Alan Rickman (best known for his role in the Harry Potter films as Professor Severus Snape).

 

A contemporary international thriller set in the shadowy world of remotely piloted drone warfare, “Eye in the Sky” tracks London-based military intelligence officer Colonel Katherine Powell (Mirren) who is remotely commanding a top secret drone operation to capture a group of dangerous terrorists from their safe-house in Nairobi, Kenya. The mission suddenly escalates from a “capture” to a “kill” operation as Powell realizes that the terrorists are about to embark on a deadly suicide mission. From his base in Nevada, American drone pilot Steve Watts (Paul) is poised to destroy the safe-house when a nine year old girl enters the kill zone just outside the walls of the house. With unforeseen collateral damage now entering the equation, the impossible decision of when to strike gets passed up the “kill chain” of politicians and lawyers as the seconds tick down.

Director Gavin Hood returns to the realm of contemporary warfare with the tense thriller “Eye in the Sky,” which explores both the practical application and the ethical ramifications of drone warfare. “I was aware of all the different aspects of drone warfare,” begins Hood, “because I’d made a film about American military adventures with Rendition. I’d read articles, I’d read opinions and I’d read books. I had always tried to keep up-to-date with what was happening in the American military but I hadn’t taken a deep dive into this very specific question of targeted assassination.”

The collateral damage caused by a drone strike extends beyond potential human casualties. The killing of civilians, even accidentally, has a profound impact on the propaganda war. For the filmmakers, it was vital that the narrative posed these difficult questions while asking the audience to decide on the answers. “What you don’t want to do as a director is preach to your audience,” says Hood. “You want to create a sense of pace, a sense of tension, a thriller, while at the same time, raising difficult, philosophical questions in the mind of the audience.

“In order to do that you have to keep the story moving forward so as to keep the tension alive, while at the same time finding moments where the story breathes, which allows the audience to catch up. You need to give the audience time to process the arguments.

“And then, just when the audience thinks they have sided with one particular argument, you throw in another argument that turns it on its head and has the viewer asking, ‘Wait a minute, do I really think what I just thought a minute ago? No, maybe I don’t.’ And just when they’re agreeing with someone else, here comes another point of view.”

“Eye in the Sky” opens July 20 in cinemas nationwide from Pioneer Films.

Trailer link: https://www.youtube.com/watch?v=75Njw2q7P-c&feature=youtu.be

HAPPY WORLD UNLIKE ANY AWAITS IN “TROLLS”

From DreamWorks, creators of highly successful animation such as “Kung Fu Panda,” “How To Train Your Dragon” and “Madagascar” comes “Trolls,” the most smart, funny, irreverent animated comedy of the year. 

ANNA KENDRICK AND JUSTIN TIMBERLAKE voices TROLLS

 

“Trolls” takes the audience to a colorful, wondrous world populated by hilariously unforgettable characters and discover the story of the overly optimistic creatures (Trolls), with a constant song on their lips, and the comically pessimistic Bergens, who are only happy when they have trolls in their stomach. “Trolls” features the voice of Anna Kendrick as Poppy, the optimistic leader of the Trolls, and her polar opposite, Branch, played by Justin Timberlake. Together, this unlikely pair of Trolls must embark on an adventure that takes them far beyond the only world they've ever known.

ANNA KENDRICK AND JUSTIN TIMBERLAKE

Leading the happy bunch of Trolls is Poppy (Kendrick), a relentlessly upbeat — if slightly naive — Troll whose father King Peppy saved his subjects from the Troll-hungry Bergens. As she and her group of nine friends, the Snack Pack, face their biggest challenge ever, Poppy is faced for the first time in her life with a problem that apparently can't be solved with a song, a dance and a hug. But after some hilarious attempts at saving the day, Poppy discovers that being true to yourself is always the best answer.

Justin Timberlake takes on the role of Branch, the over-cautious paranoid survivalist in Troll Village, who lives in fear of invasion from the Bergens. The only Troll in the village who doesn't sing, dance or hug, Branch lives a disgruntled existence, constantly trying to prepare for the worst. He’s constantly flummoxed by the over-the-top positivity of the other Trolls — is he the only sane one in this crowd of exuberantly happy Trolls? Over the course of the film, Branch will be challenged to embrace his inner Troll, even if it includes a dreaded burst of singing and dancing. Will he learn to find inner happiness with Poppy at his side?

“Trolls” also features the voices Russell Brand, Zooey Deschanel, James Corden, Kunal Nayyar, Ron Funches, Icona Pop and Gwen Stefani.

DreamWorks' and 20th Century Fox’s “Trolls” is a fresh, broad comedy filled with music, heart and hair-raising adventures that will open in cinemas nationwide on October 26.


Trailer link: https://www.youtube.com/watch?v=arUNsqnvNC0